After nine years of courtship, I finally married Jessica. We had met so early in life, neither of us expected to find such perfection by then. So we felt no need to rush. Maybe we overshot a bit, but I'm much happier that we made our own decision on our own schedule, and walked into our wedding more confident and loving than ever.
We walked down the aisle to "The Nearness Of You" by Norah Jones. And we walked out to "Yes" by Morphine. Not a typical choice, I know. But a song by a band we both loved that chanted "yes, yes, yes" seemed like the perfect song to start our marriage.
We'd been ballroom dancing for a number of years by this point. There was zero interest in half-assing our first dance. So months before the wedding we started working on our performance. The final number had foxtrot, swing, balboa, lindyhop… seriously, we went all out. I had a spreadsheet to block the whole thing out. It was probably the only thing I was nervous about on our wedding day. I mean, that whole wedding ceremony was obviously going to be fine… but could we pull off the dance?
The dip and kiss happens at 3:30, in case it isn't obvious.
Before the wedding Jessica's aunt Donna gifted her greatest piece of wisdom: play this song. I don't think I had ever heard it before. Which is a shame, because that's too many years without this absolute treat of a song in my life.
We played it immediately after "Moondance". The idea that was that people would join us and start the dance floor. We'd even seeded certain people in advance to set up the whole transition. But in that moment far too many of them lost their nerve. Apparently dropping a dance number like that wasn't good for convincing the general crowd that it was time for them to dance too. Oh well, their loss. Great song.
"Our love is… \ Our love is… \ Our love is… slow dancing together."
Oh hell yes, Ratatat. This was an introduction from Jevan. One of the awesome things about working on music software is how talking about music is just part of the culture. There was truly a love for music there.
Another Zune Arts video brought me Ratatat earlier, but it was so short I didn't dig deeper into the music. I didn't even make the connection that I'd heard the music before until a year later. But seriously, those videos are awesome. I highly recommend watching all of them.
Ratatat filled a void that Daft Punk had left empty. Instrumental, tightly mixed, conceptual but hard hitting and rhythmic. And like Daft Punk, I'm always left wondering why there isn't more of it.
I first heard the Black Keys while tooling around on Zune looking for new music. I believe I started with Attack & Release, since it was the new release, but it was when I traveled back in time that I found what I was looking for.
Discovering The Black Keys felt a bit like unearthing one of my dad's old records. The band just doesn't sound like something from this era. Clearly this can't be music from the year 2006? What sorcery is this?
Raw simple blues rock. No tomfoolery. Heartfelt, pure, and oh so good. There are times when I find a new album, and there are times when I find a new artist to delve into completely. This was most definitely the latter.